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the band that loves you: wilco with okkervil river @ greek theatre, berkeley 06/27/09

July 1st, 2009

 wilco

In Berkeley, there are roughly 5 days out of the year where the nighttime temperature gets to be around 70°.  Generally, even in summer, as soon as the sun goes down the mercury drops to about 50° or less.  If you live here, you’ve grown accustomed to it and accept the fact that if you wear shorts and a T-shirt during the day, you’re gonna be changing into something else later on; a scarf, a jacket, snowboard gear.  Which goes a long way in explaining why people in this town get so giddy and out of their minds when this particular meteorological anomaly occurs — we’re bursting at the seams with appreciation.

But while warm summer nights in Berkeley may be a rarity, an amazing show by Wilco at the Greek is not.  In fact, outside of their native Chicago, the band seems to be at home here like nowhere else.  They have the place dialed in in a way few bands do and the sound at the venue never sounds better than when they take the stage — from their melodic folk to the electronic dissonance, every nuance, every drum hit is clear.  Having been together now for several years, this current incarnation of the band is tight and almost feels familial, both in the way they interact with each other and the audience.  There’s a swing to the music now that feels improvisational, transcendent and oddly a little funky — coloring their hard to pin down style with an even broader palette.

By definition, this leg of the tour has been rather unconventional given that the band is supporting a new album that has yet to be released (Wilco (the album) drops June 30).  But for me, at least, this made the night all the more interesting.  I purposely chose not to listen to a streamed version of the album online (a difficult challenge I might add) so that the new material could hit me without the support of familiarity — songs would either work or they wouldn’t.  Thankfully, as it turned out, they did, especially “Bull Black Nova”, which moved and grinded melodically as well as anything Tweedy and the band has written to date.

In many ways, the evening felt like a party; from the sing-alongs during “A Shot in the Arm”, “I Am Trying to Break Your Heart”, “California Stars”, “Jesus Etc.” (and, well, almost everything in their back catalog), to Tweedy’s inspired and hilarious Janis Joplin meets Marvin Gaye falsetto on “Hate It Here”, to Tweedy’s son coming on stage dressed head to toe in tie-dye, to the sweet dedication to his wife, to the new material the band seemed absolutely energized to play, to lead guitarist Nels Cline’s now seemingly traditional red pants, to the jammed out version of “I’m the Man That Loves You” that closed out the pre-encore part of the show — all of it seemed to suggest a certain type of feeling running through the band and everyone in the audience.

All this said — and while it was indeed a brilliant 2 1/2 hour set of music — where everything came together and demonstrated why Wilco, especially this incarnation, is so compelling live, was during their final number of the night, “Hoodoo Voodoo”, a song off the Woody Guthrie inspired project with Billy Bragg, Mermaid Avenue.  Blissfully funked out and complete with goofy, albeit heart exploding, dueling lead guitars, it was a breathtaking and joyous way to end the evening, and a fitting wink to the opening “Wilco (The Song)”.  Of course, they could’ve closed things out with the obvious deeply grooved “Spiders (Kidsmoke)”, complete with Tweedy sharing his guitar with the audience, and all would have been more than right in Berkeley, but they didn’t and, well, what more can you say than this, wow – a 70° starry night, 8000 bouncing souls and a band that loves you.

Okkervil River opened the show to a near capacity crowd with a near perfect 45 minute set that included songs from several of their records.  Some of the standouts: “Pop Lie”, “John Allen Smith Sails”, “Plus Ones” and “Lost Coastlines”.  The band truly provided for a great double bill.

Wilco setlist:

Wilco (The Song)
Muzzle Of Bees
A Shot In The Arm
At Least That’s What You Said
Bull Black Nova
You Are My Face
Deeper Down
I Am Trying To Break Your Heart
One Wing
Radio Cure
Impossible Germany
California Stars
I Can’t Stand It
Jesus, Etc.
Handshake Drugs
Hate It Here
Walken
I’m The Man Who Loves You

Encore

You Never Know
The Late Greats
Box Full Of Letters
Misuderstood
Spiders (Kidsmoke)
Hoodoo Voodoo

pau.


from the primordial ooze to modified gills, it’s all about gratitude

June 20th, 2009

hermit crab

Every now and then I am absolutely dumbfounded by the obvious, and more often than not, it inspires great wonderment and gratitude.  Yesterday, as I was watching my hermit crab dismantle its habitat — he has a particular distaste for faux rock walls apparently — I was once again struck by just how interesting this little crustacean is.

Our time together — such that it is (him being a crab and all) — began five years ago when my nieces gave him to me for my birthday.  The inspiration for the gift — beside the fact that they were seven and five respectively — no doubt sprang from the familial understanding that if you’re going to give somebody an unusual gift, exercise that understanding on Tony.  Where this understanding had its genesis, I can hardly guess, but hey, if I inspire such impulses, all the better — it’s a win-win for everybody.  Fun to give, fun to receive.

Anyway, I digress.

The thing is, while the gift was sweet (and most certainly inspired), inside I was a bit concerned I’d inherited the quick deaths of two very well appointed hermit crabs; who — if given their druthers — would much rather be on a beach in the Bahamas nibbling on a dead castaway, than in the care of a quadriplegic in Berkeley, California.

And therein lies the rub — a quadriplegic’s care. Which is really another way of saying my friend’s and attendant’s care.  Which isn’t to say my friends and attendants aren’t capable of taking care of crustaceans, but rather I wasn’t sure I wanted to lay the responsibility of the crab’s mortality at their feet.  You see, while I may have been familiar with their ocean dwelling brethren, I knew nothing about these terrestrial fellas — i.e., what it would take to keep them alive — and I’m guessing my friends were in the same boat as well.

Not wanting to waste any time, as soon as my family left, I googled “hermit crab care” and found if I wanted to keep these little guys alive, it would take more than the jar of food and plastic carrier cage they came with.  In fact, my research led me to believe, away from their natural habitat, these guys were actually quite sensitive creatures, needing the right humidity, temperature and physical environment not only to thrive but survive.  All of which — given my appreciation of both thriving and surviving — would require a trip to the pet store and investment of no less than $50.  And even then, there were no guarantees.

So left to my own devices, I made a decision and went ahead and posted an ad on Craigslist offering them up to a well humidified, crustacean loving home.  And within an hour I was inundated with responses from resumed, uber-qualified hermit crab owners looking to adopt.

“So why are you giving them away?”  Craigslist hermit crab guy #1 asked, seemingly shocked somebody would be parting with such valued animals.

“Well, I got them as a gift”, I said, “And since I’m a quadriplegic and they seem to need some pretty specific care, I thought rather than have them die because of something I couldn’t provide, I’d give them to somebody more “equipped”".

“Special care?  Dude, where’d you hear that?  They’re soooo easy.  Just give ‘em some sand, a bath once a week and whatever food you have lying around, and they’re good to go.  I’ve had mine for a couple of years now and no problems.  I even let them run around the loft from time to time.”

“Really?  Your loft, huh?”  I paused to allow this image of hermit crabs running around a chic San Francisco loft take hold and then added, “Well, the website I checked out made them seem like they were super sensitive, so, you know.”

“Well, not mine, bro.  But look, I’ll take ‘em if you want, but you should seriously think about keeping them.  They’re a lot of fun”.

And so I did, I kept them.  And he was right, they’re pretty low maintenance as far as pets go; a bath once a week to wet their modified gills (before going terrestrial they were sea creatures and are still evolving), apples to munch on (don’t know why, but despite being Caribbean this is their favorite food), lots of toys and things to mess around with, and a temperate environment to call home.  And that’s it.  Simple.

Now admittedly, one of the crabs — who was most likely ill when I got him — did kick the proverbial shell in the first couple of weeks, but the other one — Captain “Shiva” Blood (as he’s been affectionately named) — is still going strong, and like I said above, it’s been five years now.  Oh, and another thing Craiglslist hermit crab guy #1 was right about — they are pretty fun.  Well, fun if you mean interesting, it’s not like you can play frisbee with them or anything.

But whatever.  The thing is, not only is Capt. Blood the strangest, coolest, most alien looking thing in the apartment, but behaviorally speaking, he’s quite the trip and surprisingly entertaining as well.  You see, hermit crabs (a misnomer, by the way, they’re actually quite social), by nature, are very active creatures and, aside from when they’re sleeping or molting, like to keep themselves rather busy.  Here, in his current environment in Berkeley, that essentially translates to a lot of interior decorating — if he can move something from one place to another in his crabitat, he will, and by morning the space is usually completely rearranged; sticks, water bowl, pirate skull shelter, what have you, nothing is left untouched.  In fact, for something so little, he gets a lot more done in a 24-hour period than most people I know.

Which brings me right back around to the beginning of this blog and my inspiration for rambling on about my hermit crab — gratitude.

On any given day there are usually a minimum of three creatures hanging out in my home (it’s difficult to gauge the exact number given all the insects and bacteria); my dog, Captain Blood, and me, all of whom have evolved quite differently after rising out of that primordial ooze eons and eons ago.

But these differences, while deceptively obvious, pale in comparison to the similarities we all share and the fact that we’re all essentially the same thing, utilizing the same atoms, breathing the same air, drinking the same water, with the same goal to ride this life thing out as far as it will take us.

My point being, if this doesn’t cause one — with the capacity to do so — to appreciate the sweet taste of an apple, embrace the moment and to be stupefied with gratitude for the beauty that surrounds us, well then, perhaps it’s time we start giving away hermit crabs at birth to kick start the process.

pau.


a coyote ate my baby

May 27th, 2009

 palm springs

After nearly 40 years in Newport Beach, my parents — like the Israelites in the Old Testament — have all but made the final exodus out into the desert.  They’ve traded cool ocean breezes and the smell of salt air for the oppressive heat, the need for AC and putting greens. And while it wasn’t God who told them to go east (or at least I don’t think so), it’s a liberating — albeit painful — move just the same. Retirement is in their sights.

As for myself, I left Newport for Berkeley in 1985 and it couldn’t have been soon enough.  By that time, the city had changed — was changing — going from the semi-nondescript beach town in the shadow of Los Angeles to the crown jewel in the fast becoming uber chic “OC”.  Once quaint 40s style beach houses became tear down fodder for bloated mansions on tiny lots and exotic European car dealerships outnumbered seagulls, I knew my days were numbered and never felt the need to look back.

Still, even as the city was changing, there were things about the place that resonated within me; my family, the people who were there for us during difficult times, the beaches and our charmed home on Port Manleigh Circle.  For my parents, especially for my mom, these are some of the things that have made it so difficult for them to completely pull up roots and leave.  So much happened in that place, over so many years, with such deep personal investment, that their sense of loss is easy to understand.

Of course, it’s only natural for one to wax nostalgic, reminisce or even second-guess decisions as boxes are being packed, labeled and loaded to be moved to a new home.  And it’s even more natural for one to feel unsure as you begin to fill a new home with old things, expectations and most importantly, life.  But the wonderful thing about homes is they’re responsive to the things we fill them with, and will grow, blossom and fruit accordingly.  Fill a home with love and goodwill and the home will give that back.  If you’ve ever been fortunate to live anywhere long enough you understand this potential, and my parent’s new home has potential in spades.

Even still, I’m surprised my parents have indeed moved, and there’s even a little part of me that’s inclined not to believe it until actually see them firmly planted in the new place.  But, the truth is — and all facetious disbelief aside — the move has been a slow train coming.  In actuality, they’ve had their feet in two cities for a couple of years now, which –  among other things — has served to temper a naturally difficult relocation process.  As I said, their roots in Newport run very deep and if history has shown anything, it’s shown they possess an uncanny ability to influence decision-making and hold one in place.

That said, this isn’t the first time a move from Newport Beach was in the works — in the late 80s a move was all but eminent.  At the time, it was less a choice and more of a necessity, but just the same, the gears were engaged and the house was on the market.  Now, why it never happened is in large part a matter of fortuitous arrangement, but still I’m confident things wouldn’t have turned out quite the way they had had it not been for the unconscious (or not so unconscious) kibosh my mom levied on the process.

How NOT to sell a home

for sale

If you’ve ever been privy to the selling of a house, then you probably know it’s a good idea not to allow the owners or family members anywhere near the property while you’re showing it.  And there are good reasons for this:

  1. Change is difficult. And while sometimes it manifests itself in quiet apprehension and introspection, more often than not it leads to visible moodiness and overt fear. And nobody, walking through an open house for the first time, wants to feel or see this.
  2. It’s a lot easier to picture yourself in a new home if the previous residents aren’t in it.
  3. People — above all else — are unpredictable and therefore you never know what sort of crazy thing a homeowner might say when asked a question directly or has the desire to be of friendly assistance.

Now, this is great advice and I would highly recommend anybody who’s going to sell their home to follow it.  But, when it came to selling ours — circumstances being what they were — we went in a different direction completely.  I, with a pressure sore, would stay at home in bed to recover, and my mom — who, with all her body and soul didn’t want to move — would stay with me — keeping me company, as she put it, but also at the ready to “assist” potential homebuyers with any questions they might have about the house.  This, not very surprisingly, is where things went off the rails.

Unlike the housing market bubble of the not so distant past, the credit default swap and “don’t ask, don’t tell” loans had yet to be invented, and things at the time were comparatively slow.  People came to check out the house, but more often than not they were “lookie-loos” rather than serious buyers.  When a serious buyer would come along, conflicted emotions would run through us all, and I think secretly we were all wishing for the same thing –  Amityville horror or some other paranormal interference.

But truthfully, though, one doesn’t need floating pigs, rooms full of flies or the devil if you simply go against the above advice as we did.  My part in the kibosh was circumstantial, but nevertheless I was there. To this day, I try to imagine what it must’ve been like to come into an otherwise empty house on a buyer’s preview and find somebody still lying in bed in one of the rooms.  Granted, there were no tubes or wires coming out of me or beeping machinery keeping me alive, but still, upon discovery, what sort of conversation would you initiate when this is your final stop on an otherwise typical open house walk through?

Needless to say, the experience provided me with a fascinating insight into the nature of human interaction; not to dissimilar to witnessing how people in an elevator adjust to somebody facing the opposite direction from the doors and engaging in conversation.  And truth be told, I almost got a perverse thrill watching as these homebuyers — in that microsecond of a moment — decided how they wanted to deal with this most unusual “elephant in the room”.

Unfortunately for the anthropological/psychological sciences community, and any future papers that may have been presented/published on the subject by moi, my mom — by virtue of her location with me in my room — was more often than not able to preempt said situation and temper some of that initial awkward contact.  It must also be said, however, that any attempts on her part to explain why I was in bed during an open house — the physiology and treatment of pressure sores — though done for the uninitiated’s benefit — were not easily digested or understood.  And in the end, I’m afraid, only served to add to the awkwardness and confusion of the situation, not achieving the purpose she’d hoped.

A coyote ate my baby

urban coyote

For homebuyers, our house was fairly unique compared to other houses that may been on the market in the neighborhood, as our backyard sat right up against an empty field. It was a great view and there were no plans to develop it in the future, making it a natural highlight for potential buyers.

On one occasion, after learning more about pressure sores than she’d ever expect to learn during a buyer’s preview (or anywhere for that matter), one of the more serious homebuyers — there with her infant daughter in her arms –  asked what I can only imagine she believed to be a innocuous, but useful question about the field.  Certainly, the conversation was crying out for a less intimate direction than the condition of my ass, but the question was no less a valid one.

“Well, we just love it.”  My mom answered with a sparkle in her eye, “You’re right up against nature. We’ve got squirrels, hawks, buzzards, lizards, owls, frogs, coyotes… all sorts of animals out there.  At night, it’s beautiful, you can often hear the coyotes howl.”

“Coyotes?”, the woman asked, instinctively clutching her baby a little tighter to her breast.

“Yes,” my mom said, not sensing the woman’s growing uneasiness, “But we rarely see them, they’re pretty shy.”

Now here’s were the conversation could’ve gone in a couple different directions, but even from my bed, lying more than 10 feet away, I could see it was headed for unintended consequences: like watching an accident unfold in slow motion, and wishing you could do something, but knowing, in reality, it’s moving way too fast to intervene.

“Oh.” She said, shifting the baby to her arm away from the window.

“Although”, my mom paused and then began again,  “Sometimes they do come in and take someone’s cat or small dog, but that’s not very often. We’ve got big dogs”.

And boom!  There it was, the collision.  And just then, I could see the gears in the women’s mind start to turn, as the joyous pictures of her, her husband and their baby in their idyllic new Newport Beach home were quickly eroding and being replaced by that of her baby being carried away in the middle of the night by a coyote.

How I kept from erupting with laughter is purely a testament to the power of shock and disbelief. But my mom — God bless her — in her attempt to share something that is actually quite spectacular — hearing coyotes in a beach community at night (not the part about “fluffy” and “whiskers” becoming dinner) — was completely oblivious to the story’s affect on this young mother looking to buy a home in the peaceful suburbs.

In the end, the woman and her husband never made on offer on the house — and that was fine by us. The fact was, none of us wanted to move, that house on Port Manleigh Circle felt less like a structure and more like a gift, and was the hub of so much activity, goodness and love. And while by proximity alone, I’m indeed culpable to some degree in our house’s failure to sell, it was my mom’s beautiful, unchecked gift of gab that brought us home.

Epilogue

I have not yet been to the house in Palm Desert as it stands now, but nevertheless, I believe it’s starting to feel like home for them.  They still rent a little refuge on Balboa Island they can retreat to when the summertime heat of the desert rises to the absurd temperatures of Venus, or they have work to do in the “OC” (retirement still seems to be a little further off), but I think ultimately, as the rest of us start to visit during holidays, weddings and funerals, it’ll begin to feel alive in the way only a family loved dwelling can.  The structure doesn’t have much of a history yet, but like I said, that’s a remedy served by time, place and people.

As many of you may have discovered by now, a lot of these stories have their root with my mom.  And there’s good reason for this.  My mom is by far one of the most interesting, crazy, fiercely loving people I know, and her heart is an unchecked beacon that shines brightly and attracts many.  But above all this, she’s hilarious and has the ability to laugh at herself in a way few people can or do.  This I admire to no end, and hope that I possess at least a fraction of this DNA.

I must also point out, that my mom is now — and has been for many years — a real estate agent of great success, skill, integrity and loyalty, and would never suggest any home seller go against the above rule…

unless, of course, they really didn’t want to sell their house.

pau


la quinceañera de shadow

May 4th, 2009

 shadow

It’s hard to believe, but just a short while ago my dog Shadow had me questioning her mortality. And rightfully so, for a moment there she seemed to be bumping up against it. But like they say, “that was then, this is now”, and where I was once questioning her mortality in regards to whether or not she’d be around much longer, I’m now questioning it in regards to will she be the longest living Golden Retriever on the planet.

If there was ever a better example of the adage, “what doesn’t kill you, makes you stronger”, I’d like to see it. There’s no question I’m resilient, but this dog makes my resilience look downright pedestrian. Yesterday, or example, we celebrated “my neurosurgeon had emergency surgery and had to cancel my appointment” by taking a jaunt to Amoeba, our favorite record store, to pick up biscuits for her and the new Neko Case, Decemberists and Amadou & Miriam CDs for me. I say jaunt, because it’s a 1/2 mile there and 1/2 mile back, and she ran the whole way nonstop… and she’s like 150 in dog years.

Now, maybe there’s some sort of longevity juice inside that softball-sized fatty cyst she’s been carrying around all these years, or perhaps she’s concerned there might not be popcorn and biscuits on the other side, or maybe it’s just that death itself, basing its judgment on her breath, isn’t convinced she hasn’t already shaken off her mortal coil… I don’t know. But whatever the reason, I couldn’t be more grateful.

Shadow celebrated her quinceañera last Friday, and while I skipped the party dress, streamers and DJ, the biscuit keg was tapped and flowed freely. The thing is, when you’re a 15 year old Golden Retriever and you’re refusing to let go of the puppy in you, you deserve a bit of recognition… and all the snacks you can stomach.

¡Feliz cumpleaños, Shadow!

pau.


change; one brussels sprout at a time

April 18th, 2009

 roasted brussels sprouts

From the moment I was weaned and started dining on solid food, I’ve disliked eggs. The taste, the smell, the texture, all of it. Nevertheless, every six months or so I take a bite off someone’s plate just to see if my tastes have changed… they haven’t, but I still hold out hope that one day they will.

That said,  I find this gastronomic steadfastness somewhat impressive — if not perplexing — given my otherwise ever expanding tastes.  Foods I once found so odious as a child — mushrooms, olives, raw spinach, brussels sprouts — I now find delicious and even difficult to live without. The egg, for whatever reason, remains odious.

But today’s blog isn’t about my adversarial relationship with the egg — though for the sake of working things out perhaps it should be — but rather my transcendent one with the brussels sprout… a far more rewarding and interesting one.

You see, up until about year ago, the much maligned brussels sprout — that bitter, gaseous dwarf of a cabbage — was as difficult to swallow as the egg. But unlike the ubiquitous egg, the opportunities to challenge my taste buds were virtually nil, being more a question of availability than cahones (see; will). Because seriously, who — outside of someone born prior to 1950 or a Belgian — would order brussels sprouts at a restaurant when they had a whole menu of other side dishes to choose from. I’m just saying.

But like so many other things in life, it’s often about timing or coming at something from a different angle. I was fortunate enough to be privy to both when my mom decided to go out on a limb and not only serve brussels sprouts to a potentially — and I’m being kind here — “non-receptive” audience (my sisters and I), but to resist her greater impulses and not to fall back on her traditional boil and butter method that she found so…well… traditional.

What came to the table that evening was nothing short of a wonder; not only was it not the traditional sprouts we were all dreading, but it was a revelation to boot. Ridiculously so, in fact, especially given where these sprouts previously sat on our list of things “we’d most not like to ingest at meal time”.

Crunchy, salty, olive oily; they were the perfect blend of texture and flavor. None of the characteristics that marred the vegetable prior to this method lingered — or rather, they were transformed into deliciousness.  And surprisingly, even cold the next day, with none of the crunchiness, they were still amazing.

Sometimes a bad reputation is earned by way of a misunderstanding, and I’ll state it here that the brussels sprout is a good example of that. The misunderstanding being, what method of cooking best brings out their hidden tasty goodness. Now, if you’re like most people I’ve met, you’re probably locked into a particular way of preparing these things, and that’s fine if you want to continue to perpetuate their bad reputation. But if you want to elevate their status into the pantheon of foods you just can’t live without and recipes that will wow and impress your friends, then put away that pot of boiling water, ditch the butter, break out the olive oil and fire up that oven… you’ve got roastin’ to do.

Oh, and when you’re doing your shopping for these lovely, green enigmatic things, make sure to bring a really big bag.

Roasted Brussels Sprouts Recipe:

Coat copious amounts of brussels sprouts with olive oil and place evenly onto a cookie sheet. Salt with sea salt to your liking (slightly salty seems to be best). Roast in a preheated 375° oven for around 30 or 40 minutes depending on the size of the sprouts or until golden brown (you want them to be crunchy on the outside and melt-in-your-mouth soft on the inside). Shake the pan from time to time for even browning. Eat immediately!

Bonus tip: They are also great cold or on salads.

Pau.


the final track: 365 albums vol. 4

February 28th, 2009

 records

As some of you may or may not know, last year I put forth a little project for myself; listen to a different album everyday for 365 days.  A project that, while on the surface, might’ve seemed like a marginal challenge (those who know me, know I listen to at least 5 times that per day), was actually no different than taking on meditation, working out or tackling a regimented diet.  It was an endeavor that — as with those others — required both an unwavering commitment and a certain amount of time in order to glean from it the desired results.

I wanted to try listening to albums again — not as I had for the last several years, as background music while I did other things or on my iPod while I was in transit somewhere, but as I had when I was younger; where I’d sit down, break out the art and lyrics and completely submerge myself in the experience.

Listening the other way is fine; I’m one of those people whose home — aside for a few specific moments — is always filled with music. But ultimately, that type of listening is like only reading the pages of a novel that pertain to the plot. You’ll get the gist of what’s going on, but you’ll lose the nuance and color that bring it to life.

What I discovered during the course of this project were two things: one, my affection for the L.P., as a compiled and time specific piece of art, is as strong as ever. When I revisited some old favorites I found — along with the nostalgic feelings they invoked — they had vital new stories to tell.  Marvin Gaye’s What’s Going On, John Coltrane’s A Love Supreme and The Clash’s Sandinista are just a few that come to mind.

But the project’s real joy came from the discovery of new material. In a time where the “age of the album” seems to be coming to an end (one of the unfortunate byproducts of the digital music revolution), I’ve listened to some of the best L.P.s of my life. It’s encouraging to see many artists (both new and established) — despite industry trends — still taking the time to conceptualize, craft and present ideas though a collection of songs.

Which brings me to the second thing I discovered while doing this project; an album a day, while rich from a sheer numbers perspective, made anything beyond a single listen rather difficult. My commitment to any one album while it was playing was unwavering, but I believe to truly absorb it’s potential you need to spend at least a week with it. Once the lyrics are memorized, and you’re singing along with it at the top of your lungs, something happens and everything seems to fall into place.

In the end, this experiment was an uber cool one. And while I won’t be doing it again this year — at least not formally anyway — I’ll continue with something in line with what I just said above — a spotlight album of the week. Whether my consumption of music this year will slow down will have to be seen, but whether it does or it doesn’t, rest assured that in the wake of the music flowing fast and furious from my iTunes, I’ll continue to write about what’s grabbing my attention and what I think you should check out.

So until next time, happy listening. And for those of you who played along with a similar project or checked out anything I mentioned here, good on ya, I hope you dug it as much as I did.

Click here for the pdf album listing of 365 albums vol. 4

Suggested listening:

clem snideClem Snide: Hungry Bird While the turn to darker soundscapes and themes on Hungry Bird might be surprising to fans of Clem Snide’s previous albums, the direction is actually quite fitting given where singer-songwriter Eef Barzelay’s fine 2008 solo record, Lose Big, left off. Less a sequel and more of a companion piece (the two albums share the brooding “Me No”), Hungry Bird feels like the completion of an idea (especially when punctuated with the lovely “With All My Heart”). Not a perfect album by any stretch, but the tracks “Born A Man” and “Hum” or some of the finest Barzelay has written.

animal collectiveAnimal Collective: Merriweather Post Pavilion A friend of mine said upon hearing this record, “this is the first Beach Boys’ album I’ve ever liked”. And I understand where he’s coming from. It’s impossible to listen to Merriweather Post Pavilion and not hear the best ideas and elements of that seminal group. But it also must be said, this sounds nothing like a Beach Boys’ record. Animal Collective has indeed decided to explore a more pop aesthetic on Merriweather, focusing on Panda Bear’s melodic vocal harmonies and sensibilities, while foregoing instinctual forays into discordance and horror. But the term “pop” as it applies to Animal Collective is a relative one. Densely layered and transcendent, this is nothing short of a masterwork and likely to be remembered for years. Will there be a better record in 2009? Perhaps. But it’s hard to imagine what.

Available on Amazon MP3 right now for $5.00

Special bonus alert; Bon Iver’s new EP Blood Bank is also available for $0.99. Worth picking up at any price.

blood bank ep

Pau.


“25 random things about me”: literature or narcissistic wank?

February 16th, 2009

If you’ve been anywhere around Facebook lately then you’re probably well aware of the viral happening “25 random things about me” and in turn even contributed to its spreading.  If for some reason you haven’t been touched by this arguably benevolent virus and have no idea what I’m talking about, or you’re one of the seven readers out there who are scratching your heads at the word Facebook, let me briefly break it down for you.

About two weeks ago, Facebook, the popular social networking site, became host to what can only be described as a mass electronic chain mail… a virus, basically.  Members were “tagged” in a note by one of their “friends” with the heading “25 random things about me” that had — you guessed it — 25 random things about that person.  Upon reading it, the tagee was then asked to do a note themselves, re-tag the person who sent it and tag 24 additional friends whom they felt might like to know 25 random things about them. And so on and so on.

To say the virus was popular would be to miss the point — though the numbers are ridiculously impressive — what’s most interesting was not the level of “infestation”, but rather how it fits into and shapes our popular cultural zeitgeist and what that all means.  Time Magazine, in an online editorial, attempted to break it down, but their take on it was far less than favorable than mine.

Besides being unintentionally ironic (I think), the piece in its attempts to be sassy and humorously cynical (which it accomplished in places), failed to understand the greater significance of such “narcissistic” endeavors.  First and foremost, Facebook is a community — many communities to be exact — and as such, it’s all about communication and connection.  And while there are many ways this communication manifests itself — pictures, music, videos — 9 times out of 10 it’s through the written word.  In general it’s a glorified (albeit dynamic) form of public e-mail, but on occasion — as with the “25 random things” virus — it breaks free of this utilitarian constuct and becomes something else… literature.

Now we can argue what literature is until Harold Bloom comes around on Harry Potter — and perhaps if you do one of these lists you can put your definition there — but for me at least it’s hardly a question and the virus is a great example of how difficult it is to pin down.  In the same way that blogging might’ve originally challenged our assumptions and patience about what was important/valuable with its democratizing openness, so does this type of micro-blogging (for lack of a better word).

The Time piece, above all else, stressed that the virus/endeavor was a “narcissistic waste of time” and even attempted to back this up with arbitrary numbers. But what does that mean exactly? Is it a waste of time because it’s not a legitimate form of literary expression and therefore not worthy of engagement? Or that people shouldn’t bother sharing things about themselves because there are more important things to do?

If it’s the former, I don’t see what’s any less legitimate about this form of literature as opposed to any other.  As nonfiction writing goes, it’s been as interesting, funny, insightful and controversial as anything out there, and certainly no more “narcissistic” (whatever relevance this label has) than anything else on the web or in print.  And if it’s the latter, well, what can I say?  Take a look around at the world sometime and tell me how learning something about one another might be a “waste of time”… no matter how arbitrary the details.

Look, not everyone on Facebook chose to do one of these things in much the same way not everyone chooses to blog/write about their life or the world around them… or surf, or bake cookies, or meditate, or solve a Rubik’s cube, or wank for that matter. And that’s cool.  But if you did do one of these things and you tagged me in it, thank you… your insights, humor, ridiculousness and talent resonated with me in a way the best literature often does, and I’m all the better because of it.

Bottom line; if Facebook and its byproducts are such “narcissistic time wasters” and a threat to capitalist productivity, then perhaps there should’ve been an earmark attached to Obama’s recent stimulus package to shut it down.

#26.  I’m just saying.

pau


top 50 songs of 2008

February 1st, 2009

jukebox

It’s been said — and I’m assuming the source is fairly reliable — that our sense of smell is the most proficient of all our senses in triggering memories.  And while I’ll admit the smell of coconut escorts me back to the years between 1974 and 1980 when surfboard wax was as important to me as girls or to a certain ex-girlfriend’s skin, songs are able to locate me in a particular moment where the details — the quality of light, the temperature, my emotions — are uncannily specific.

Like many of you who love music, a soundtrack accompanies my life and I can map it out with memories that are inextricably intertwined with songs. I can remember as a kid sitting in my room with my three sisters and our crappy record player singing The Beatles’ “When I Saw Her Standing There” at the top of our lungs in preparation for a lip-synced performance for my parents, or listening to “Pulling Muscles from a Shell” by Squeeze at the age of 15 while sitting in my buddy Kurt’s station wagon after one of our countless surf sessions and not wanting to get out until the song was over, or singing Macy Gray’s “I Try” with a girlfriend before she was to head back to her home in Argentina, and countless others before, in between and since. And while they’re not grand or well documented moments like a marriage or the birth of a child, every time I hear the song that’s associated with them they come flooding back with such specificity, weight and color it’s almost dizzying.

Choosing my favorite songs of 2008 wasn’t that difficult.  Narrowing them down to just 50, well, that’s another story entirely, especially when I got closer to the bottom of the list.  Unlike a great album which is like a journey and dependent on the interplay between the songs, a song — for me at least — is more like an instantaneous happening that can succeed independently of what happens before or after it.  Even more importantly, perhaps, is that it never takes more than one listen to get it — I either connect with a song or I don’t… it’s that simple.

Some of these songs are from brilliant albums, while others simply shine brightly on their own.  Some might’ve been released as singles, some not.  In the end what makes a great song or a song that connects with you is difficult to say.  Is it the melody, the lyrics or the rhythm… perhaps a combination of two or all three of these things?   Certainly, what speaks to many of us, probably won’t speak to all of us and that’s a beautiful thing.  As I’ve said, my musical tastes are very eclectic and different things speak to me for different reasons — sometimes it’s hip-hop, sometimes it’s pop and sometimes it’s a supercharged rock song.  And while I can’t say which of these songs will hold the most nostalgic resonance with me in the long run, rest assured in 2008 they tickled my pickle.

The top 50 songs of 2008

1. “Gorgeous Behavior” by Marching Band from the album Spark Large
2.  “Blindsided” by Bon Iver from the album For Emma, Forever Ago
3.  “Backwards Walk” by Frightened Rabbit from the album The Midnight Organ
4.  “Halfway Home” by TV On The Radio from the album Dear Science
5.  “Charity Case” by Gnarls Barkley from the album The Odd Couple
6.  “Work It Out” by Jurassic 5 from the album Feedback
7.  “ManWomanBoogie” by Q-Tip from the album The Renaissance
8.  “Bruce Wayne Campbell Interviewed On The Roof Of The Chelsea” by Okkervil River from the album The Stand Ins
9.  “Do What You Do” by Noah and the Whale from the album Peaceful, The World Lays Me Down
10.  “Numerology” by Eef Barzelay from the album Lose Big
11.  “The Story I Heard” by Blind Pilot from the album 3 Rounds and a Sound
12.  “Transliterator” by DeVotchKa from the album A Mad And Faithful Telling
13.  “Many Things” by Seun Kuti & Fela’s Egypt 80 from the album Seun Kuti & Fela’s Egypt 80
14.  “Gobbledigook” by Sigur Rós from the album Með Suð Í Eyrum Við Spilum Endalaust
15.  “Lights & Music” by Cut Copy from the album In Ghost Colours
16.  “Raise Me Up” by Hercules And Love Affair from the album Hercules And Love Affair
17.  “Kids” by MGMT from the album Oracular Spectacular
18.  “Kim & Jessie” by M83 from the album Saturdays = Youth
19.  “Strange Overtones” by David Byrne and Brian Eno from the album Everything That Happens Will Happen Today
20.  “Kalise” by El Guincho from the album Alegranza
21.  “Criminal” by The Roots from the album Rising Down
22.  “The Shaded Forests” by Deastro from the album Keeper’s
23.  “Self Portrait With “Electric Brain”" by Stereolab from the album Chemical Chords
24.  “One (Blake’s Got A New Face)” by Vampire Weekend from the album Vampire Weekend
25.  “rr vs. d” by Au from the album Verbs
26.  “One Day Like This” by Elbow from the album The Seldom Seen Kid
27.  “Keep On Rolling” by Quiet Village from the album  Silent Movie
28.  “Tonight In Bilbao” by Sun Kil Moon from the album April
29.  “Lying In The Sun” by Koushik from the album Out My Window
30.  “¿Quién? (Suite)” by Juana Molina from the album Un Dia
31.  “Houston” by R.E.M. from the album Accelerate
32.  “Lost To The Lonesome” by Pela from the album Anytown Graffiti
33.  “Heretic Pride” by The Mountain Goats from the album    Heretic Pride
34.  “The ‘59 Sound” by The Gaslight Anthem from the album The ‘59 Sound
35.  “Nowheres Nigh” by Parts & Labor from the album Receivers
36.  “You! Me! Dancing!” by Los Campesinos! from the album Hold On Now, Youngster
37.  “Beat (Health, Life and Fire)” by Thao from the album We Brave Bee Stings and All
38.  “Walking” by the dodos from the album Visiter
39.  “No One Does It Like You” by Department Of Eagles from the album In Ear Park
40.  “Nothing Ever Happened” by Deerhunter from the album Microcastle
41.  “Blue Ridge Mountains” by Fleet Foxes from the album Fleet Foxes
42.  “Cape Canaveral” by Conor Oberst from the album Conor Oberst
43.  “Murder in the City” by The Avett Brothers from the album The Second Gleam
44.  “Shed Your Love” by The Helio Sequence from the album Keep Your Eyes Ahead
45.  “Tiger Phone Card” by Dengue Fever from the album Venus on Earth
46.  “Your New Twin Sized Bed” by Death Cab For Cutie from the album Narrow Stairs
47.  “Are You Lightning?” by Nada Surf from the album Lucky
48.  “Da Da Da Ich Lieb Dich Nicht Du Liebst Mich Nicht” by Senor Coconut from the album Around The World
49.  “Emerald” by Lusine from the EP Emerald EP
50.  “Lovers In Japan (Osaka Sun Mix)” by Coldplay from the EP Prospekt’s March EP

pau.


phlegm free and fast as ever

January 27th, 2009

The number one universal rule in creating and maintaining a blog of any merit is consistency.  Interesting content is pretty key as well, but if your readers don’t know when said content will be available, then what’s going to motivate them to tune in? Knowing my own ADD when it comes to the internet, my suspicions are not very much.  With that in mind, my absence from the blogosphere this month was not out of defiance of this number one rule, but rather I was kept away because I had no voice (literally not metaphorically; metaphorically my voice is as chatty and strong as ever).

“Voice”, you say, “What’s that got to do with it? You’re not a podcaster”.

And you’re right, I’m not.  But when your voice sounds like Bette Davis after a weekend binge of torch songs, unfiltereds and helium huffing, NaturallySpeaking (my method of writing) doesn’t really want to put out (using the parlance of our times).  More to the point, the difference between what it thinks I’m saying versus what I’m actually saying is quite comical… Dadaist even.  Which is great if you’re Andre Breton or stoned out of your gourd, not so much if you’re a quadriplegic blogger.

So all that said and without further ado, rigmarole or excuses, I once again give you fasterbarnacle… phlegm free and fast as ever.

Pau.


the best albums of 2008

December 31st, 2008

2008 may have been the year of the rat according to the Chinese calendar, but according to the Tony Schmiesing calendar, it was the year of music. Of course, a few other significant things happened along the way that might also qualify for the title (if you’ve been reading this blog, you know what I mean), but when you’ve been listening to a different album every day for the past 365 days, could you really call it anything else?

The fact is, I purchased more music this year than probably the past 10 years combined and a good percentage of that music was stuff released in 2008. Overwhelmingly, I found it to be a fine year with great releases from both established artists and those making their debut alike. And in spite of feeling somewhat inundated by the sheer quality and quantity of my consumption, I was still able to come up with a top 10 list that I think I’ll happy with in the weeks to come.

In a year that saw the influences of Afropop, The Jesus and Mary Chain and New Wave — sometimes all three — featured in some of the year’s most interesting albums, it was also a year where my favorite LP was a breathtakingly simple and intimate affair. It was this seemingly incongruent swing of styles that made the year so rewarding musically — from the densely layered to the sublimely quiet, great sounds came from diverse origins and songwriting sensibilities.

Choosing my top 10 was no easy feat. As I said, there were a lot of quality records to choose from. Couple this with the fact that I was engaged in my 365 albums endeavor and you can see that time played a part as well — there’s only so many hours in the day one can listen to music with undivided attention.

In many ways, I find the whole top 10 process frustrating and counterintuitive, as different music appeals to me at different times, but as somebody who paradoxically likes to read such lists, the challenge of actually doing one holds a certain amount of appeal.

How I came up with my list basically came down to two things; what album resonated with me upon first listen and/or got better upon repeated plays. In the case of the Bon Iver record, well, it had me at hello, whereas the TV on the Radio and the M83 record took a few spins before they really sunk in. Again, while I’m happy with the list I’ve come up with, any one of the records 11 through 25 could’ve been in the top 10 — the year was that good.

1. Bon Iver: For Emma, Forever Ago

bon iver

This was hands down my choice for the number one record of the year. In fact, after my first listen almost a year ago it was hard to imagine anything topping it. Every time I revisit this record, I’m as moved and surprised as the first time I heard it. Equal parts haunting and uplifting, it’s an intimate sounding piece that feels as sparse as it does expansive. The cheap sounding acoustic guitar, reverb and heartbreakingly beautiful melodies are mesmerizing. A powerful, transcendent record.

2. TV on the Radio: Dear Science

tv on the radio

As the dark days of the current grossly cynical political regime come to an end and are replaced with more hopeful, albeit uncertain ones, Dear Science is the record that more than captures this zeitgeist. Working both sides of the fence, it’s a look back and look forward without ever losing its grip lyrically or musically. Layered, funky, global, melodious and grinding, it’s the most “accessible” TV on the Radio to date and one that brings something new to each listen.

3. DJ/rupture: Uproot

dj/rupture

It’s a cliché now to say DJs are the new rock stars, but I think it illustrates an understanding that as rock stars, DJs are at last being seen as musicians. For some, this might be difficult to wrap your head around — it certainly challenges assumptions of what a musician is — but for those intimately acquainted with dance culture, this is a no-brainer. DJ/rupture is hardly a “rock star” by DJ standards, but he’s every bit a musician and has crafted one of the most listenable and interesting musical experiences of the year. An nuanced bass heavy mash-up record that’s a marvel in its construction.

4. The Very Best: Esau Wmamwaya and Radioclit are the Very Best

the very best

The collaboration on this mix tape sample-fest by Malawian born/London based singer Esau Wmamwaya and European production team Radioclit, is a true celebration of music’s current global fusion. Floating on top of beats and samples ranging from Hans Zimmer’s True Romance theme (via Badlands) to the Beatles to Michael Jackson to Vampire Weekend, and from countries ranging from South Africa to India and beyond, is Esau’s — singing in his native tongue Chichewa — lovely voice. As a snapshot of the times, the collection succeeds both musically and spiritually. Click here for free a download.

5. M83: Saturdays = Youth

m83

Somewhere between nostalgic, tongue-in-cheek and absolutely sincere, Saturdays = Youth might be the musical equivalent of a John Hughes movie. .. minus the happy ending. That said, this 80s influenced electro-rock album is the real deal. Individually the songs are melodic shoegazing anthems, but where they really shine is when they’re taken together as a whole. After my first listen I didn’t quite see this, but after the second and then third I was blown away by how much it worked. Alternating between quiet and bombast, the album is a surprising success.

6. Frightened Rabbit: The Midnight Organ

frightened rabbit

Frightened Rabbit aren’t the first band to write songs about loneliness, sex, or post-relationship misery — they aren’t even the first Scottish band to do it — but their jangly, chiming guitars and mournful melodies effortlessly dig their way into your heart and you’re happy to commiserate. Fresh on the heels (literally) of their wonderful 2007 debut Sing the Greys, Midnight Organ is less raw and punk driven, but no less powerful. In fact, the cleaner sound fits the band nicely and makes me wonder if there’s been a couple extra sunny days in Glasgow this past year.

7. The Bug: London Zoo

the bug

Sometimes you just need it a little dirty and this latest effort by The Bug a.k.a. Kevin Martin, delivers on all accounts. A grimy, dark ragga come dubstep collection, the LP feels like a dance hall soundtrack for the postapocalypse. Utilizing toasters, singers and MCs of varying familiarity, London Zoo only serves to reinforce the claim that some of the best and most interesting bass heavy hip hop productions are coming from across the pond not the United States.

8. Q-tip: The Renaissance

q-tip

I’ll admit, a large part of this record’s appeal is based on nostalgia and the joy of hearing Q-tip’s voice and distinct flow again, but it’s also a return to form after his less than mediocre debut solo project almost 10 years ago. And while that might be enough to push it into my top 10, the truth is this is a great record. Of course, having one of my favorite songs of the year ManWomanBoogie doesn’t hurt, but that aside this album moves and speaks in ways few hip-hop records did this year. Funky and lyrically relevant, it’s a joy.

9. Nomo: Ghost Rock

nomo

Nu-jazz is an interesting animal and doesn’t always connect with me, but Ghost Rock — with its Afropop rhythms, transparent Can riffing and 70s four on the floor cop show funk — absolutely does. Throw in a slightly distorted African thumb piano, some glitchy synth sounds, horns and traditional jazz elements and you have a mighty tasty mix.

10. Marching Band: Spark Large

marching band

When I was kid I used to love a candy called Swedish Fish. It was a gummy, colorful, sweet and sour treat shaped like — you guessed it — fish. I’d buy them by the sack full at JCPenney’s and be in a sucrose coma for an entire afternoon… heaven. And while the origin of these fish may or may not actually be Sweden, I do know this much about the country… they export some seriously sweet pop music. Marching Band is no exception. Like Loney, Dear and The Shout Out Louds before them, all the ingredients are here; sweet melodies, bright guitars, deceptively simple lyrics and a sense of brevity that feels perfect.

Honorable mentions aka the alternates: 11 - 25.

11. Sigur Rós: með suð í eyrum við spilum endalaust, 12. Devotchka: A Mad and Faithful Telling, 13. Sun Kil Moon: April, 14. Deerhunter: Microcastle, 15. Fleet Foxes: Fleet Foxes/Sun Giant EP, 16. Erykah Badu: New Amerykah Part One (4th World War), 17. Gnarls Barkley: The Odd Couple, 18. El Guincho: Alegranza, 19. Death Cab For Cutie: Narrow Stairs, 20. Thievery Corporation: Radio Retaliation, 21. Blind Pilot: 3 Rounds and a Sound, 22. Apparat: Things to be Frickled, 23. Koushik: Out My Window, 24. Noah and the Whale: Peaceful, The World Lays Me Down, 25. The Dodos: Visiter.

Up next: the top 50 songs of 2008.

pau.